Telugu cinema has reignited a debate about age disparity in romantic pairings. Senior actors in their fifties and sixties are frequently seen romancing heroines in their twenties, raising concerns about representation and on-screen dynamics.
Tamannaah Bhatia, now considered a senior actress, stars opposite Megastar Chiranjeevi (67) in “Bholaa Shankar.” Similar situations exist with Balakrishna (61) romancing Shruti Haasan (37) and Honey Rose (29) in “Veera Simha Reddy,” and Nagarjuna (63) paired with the much younger Ashika Rangnath in “Naa Saami Ranga.” Venkatesh (61) is also facing criticism for his upcoming film featuring Meenakshi Chaudhary (24) and Aishwarya Rajesh (32).
Even established stars like Mahesh Babu (47) weren’t immune, facing criticism for romancing Sreeleela (21) in “Guntur Karam.” Pawan Kalyan (50) too has a younger heroine, Priyanka Arul Mohan (25), in “OG.”
The issue intensifies with Ravi Teja (57). The recent “Mr Bachchan” song promo showcases him in romantic scenes with debutante Bhagyashri (early 20s), drawing criticism for the age gap and her glamorous portrayal in skimpy clothing. This isn’t new for Teja, who has a history of pairing with much younger actresses like Kavya Thapar, Nabha Natesh, Faria Abdullah, and others.
However, the debate takes a curious turn. While heroes face constant criticism, the young heroines often escape similar scrutiny. Unlike senior actresses like Trisha (40), Anushka Shetty (41), and Nayanthara (42) who are selective with projects, younger actresses readily accept these roles. This raises the question: why the double standard?
The industry’s lack of established actresses in their forties and fifties plays a part. These senior actresses prioritize quality scripts, often leaving a void in commercial films where the heroine’s role might be less substantial. This gap is readily filled by younger actresses seeking opportunities.
The discussion around age disparity needs to be nuanced. While on-screen chemistry is crucial, the film industry should strive for better representation for actresses across age groups. Additionally, the narrative for commercial films needs to evolve beyond the trope of a young heroine paired with an older hero.
