I Have Plans To Get Into Direction: Arvind Swamy

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Mumbai: Versatile actor Arvind Swamy, who has ruled the Southern film industry for a long time, says he hopes to wield the megaphone soon.”I have plans to get into direction. Yes, I have written two scripts that I will be directing soon in a year or so. I am not sure whether it will be in Hindi or Tamil,” Arvind told IANS.

Arvind, who made his Bollywood debut with Mani Ratnam’s 1992 film “Roja”, is returning to the Hindi film world with debutant director Tanuj Bhramar’s upcoming film “Dear Dad”The actor feels now audiences have changed and they are more receptive to new ideas.”I was not working for a while, but now I wanted to come back and enjoy my work.

These days audiences have also changed… They are more receptive to new ideas. I didn’t want to do the regular films. Now, it’s my time to choose films with so many options that I have,” he said. “Dear Dad” is a bitter-sweet coming-of-age story involving a father-son duo — 14 year old Shivam and his 45-year-old father Nitin Swaminathan.


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Dhanush Struggles in Tamil, Thrives with Telugu Films

May 4, 2026

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Dhanush remains one of the most versatile stars in Indian cinema, having built a strong fan base across Tamil, Telugu, and Hindi industries. While he continues to enjoy wide popularity, his recent track record in Tamil cinema has not been particularly encouraging, with a series of underwhelming films.

Interestingly, his collaborations with Telugu filmmakers have brought him better results. Films like Sir and Kubera turned out to be successful ventures, showcasing him in refreshing roles and narratives. In contrast, his Tamil outings such as Idli Kadai and Kara failed to make an impact at the box office.

He also appeared in the Hindi film Tere Ishq Mein, which received appreciation from audiences, reaffirming his pan-Indian appeal. Additionally, Dhanush’s directorial ventures have performed well, further highlighting his creative strengths beyond acting.

Despite his reputation for delivering powerful performances and cult classics in Tamil cinema, there is a growing sentiment among audiences that his recent films follow a repetitive pattern. Many Tamil filmmakers seem to be relying heavily on his star image, often presenting familiar storylines that no longer excite viewers.

On the other hand, Telugu projects are offering him more scope to experiment with diverse characters and fresh storytelling. This contrast has become quite evident in his recent film choices.

Given the current scenario, it may be the right time for Dhanush to reassess his approach in Tamil cinema and focus on more innovative scripts. With the right choices, he has every potential to regain his strong footing and revive his glory in his home industry.