Gautham Vasudeva Menon is a name that needs no introduction. He is one of the top directors in South who has a huge image of his own. His romantic films and action thrillers have a separate fan base. Whether it is ‘Gharshana’ or ‘Surya S/o Krishnan’ or ‘Ye Maya Chesave’ or any other film, he weaves his magic that haunts you for many years. He is proving himself to be a good actor lately. He has been key roles in some interesting movies during recent times.
Now, he turned into Major Selvan in Dulquer Salman’s upcoming poetic love story ‘Sita Ramam’ which is directed by Hanu Raghavapudi. Dulquer plays the role of Lieutenant Ram while Mrunal Thakur will be seen as his love interest Sita. As we know, Rashmika Mandanna is playing a special character named Afreen in this intense romantic drama with a war backdrop. Ashwini Dutt is bankrolling this project under Swapna Cinema banner while it is presented by Vijayanthi Movies.
Gautham Menon looks to be a perfect fit for this role and the poster proves it. The makers introduced the characters of Dulquer, Mrunal, Rashmika, Sumanth and Tharun Bhascker till date. Songs, teasers and intro videos of all the actors got tremendous response. There’s huge eagerness for the theatrical trailer of the movie now.
‘Sita Ramam’ will be released worldwide on 5th August in theatres. The movie will have a simultaneous release in Telugu, Tamil and Malayalam languages. The film features a big list of noted actors like Prakash Raj, Shatru, Bhoomika Chawla, Rukmini Vijay Kumar, Sachin Khedekar, Murali Sharma, Vennela Kishore and many more apart from the lead actors. PS Vinod and Shreyaas Krishna were the directors of photography while Vishal Chandrasekhar is the music composer. Kotagiri Venkateswara Rao is the editor while Vaishnavi Teddy and Faisal Ali Khan are the art directors.
Recent Random Post:
Satyadev Reacts to Krishnamma Early OTT Release Shock
Actor Satyadev, known for his strong performances and untapped commercial potential, has sparked an interesting discussion in the Telugu film industry with his recent comments about the film Krishnamma (2024).
The actor expressed disappointment over how the film’s theatrical run was handled, revealing that it was taken off theatres just six days after its release and made available on OTT platforms almost immediately. Satyadev admitted that he himself was surprised by the quick digital release, stating that he came to know about it through social media while still actively promoting the film.
In most cases, actors are informed well in advance about OTT release schedules. However, Satyadev’s revelation has raised concerns about the lack of communication between production teams, distributors, and lead actors. His comments highlight the importance of better coordination within the industry.
He also pointed out the impact of the 2024 election season, noting that films released during that period struggled to attract audiences as public attention was largely focused on political developments. While Krishnamma received positive word-of-mouth for its emotional content and performances, it initially saw limited box office response due to these external factors.
According to Satyadev, just as the film was beginning to gain traction and positive buzz, the OTT release was announced, effectively cutting short its theatrical run. He described the experience as disappointing, saying it deprived the film of a fair chance at the box office.
This incident has also reignited a larger debate in the industry about shrinking theatrical windows. Traditionally, films would take months before arriving on television or digital platforms. However, in recent times, some films are moving to OTT within days of release, with Krishnamma becoming a clear example of this trend.
Satyadev also shared that a social media user questioned the purpose of watching the film in theatres when it was already available online, which was how he himself discovered the OTT release schedule. He described the experience as emotionally disheartening, calling it a “heartbreak” in his journey with the film.
