“Parannageevi” is a counter web movie from Pawan Kalyan’s fans to defame Ram Gopal Varma since the maverick filmmaker made a satirical movie named “Powerstar” on their matinee idol.
While Ram Gopal Varma’s “Powerstar” doesn’t go beyond what was shown in the trailer, this movie turns out to be even worse.
The director of “Parannageevi” lacks the intellect acumen. Hence, the satirical dialogue hovers around the ‘level of Jabaradasth’ program.
In a no-holds-barred manner, “Parannageevi” hits out at Ram Gopal Varma depicting him as a womanizer, a filmmaker who practices casting couch, a person with no moral values. But the film with a runtime of 40 minutes doesn’t have a story or a proper screenplay to speak of.
Director Nutan Naidu should have worked on the script if he intended to give a befitting reply to RGV.
Sample these dialogues to understand at what low the makers stooped to paint him as a lecherous man
– “Lift kavalante velu ettali…character kavalante emi ettalo telidaa…”
– Vodka naa peg loki ravali, figure naa pakkaloki ravali’,
– “Tupaki pelchadam rakapoyina Tutalu matram pakkanundali”
– “Nenu vodka tagutunnappudu…women pakknaa unnappudu nijame matladaatanu”.
Shakalaka Shankar who essays the role of RGV is in the usual self. Kathi Mahesh appears as a film producer. Lakshman as RGV’s assistant is okay.
The uninspiring writing, poor directorial skills, and incoherent sequences of “Parannageevi” make Ram Gopal Varma’s ‘Powerstar” look like a far refined movie than this.
Beyond projecting RGV as a womanizer, the film achieves nothing. Of course, that was the intention of the makers.
Bottom-line: Substandard
Recent Random Post:
Lenin: A Crucial Test for Bhagyashri
Bhagyashri Borse is pinning high hopes on Lenin, which releases in theatres on July 10, 2026. The film marks a crucial phase in the young actress’ career, as she looks to score her first major commercial success in Telugu cinema.
Despite generating attention with her screen presence and glamour, Bhagyashri is yet to taste box-office success. Her previous releases, Mr Bachchan, Kaantha, Andhra King Taluka, and Kingdom, failed to make the desired impact, making Lenin an important film for her career trajectory.
The expectations surrounding her role have only grown stronger after the film’s promotions. During the trailer launch, Nagarjuna repeatedly described Bhagyashri’s character as the emotional core of the film, raising curiosity about her performance. Adding to the spotlight, she stepped into the project after replacing Sreeleela as the female lead, further increasing the pressure to deliver.
The on-screen chemistry between Akhil Akkineni and Bhagyashri has already received a positive response in the promotional material, and audiences are eager to see whether the duo can translate that appeal onto the big screen. With Akhil also aiming for a much-needed breakthrough, both lead actors have plenty riding on the film’s outcome.
Bhagyashri has impressed many with her charm, confidence, and screen presence, and she undoubtedly possesses the qualities needed to establish herself among Telugu cinema’s leading actresses. What she needs now is a film that showcases her talent while connecting with audiences at the box office.
With Lenin finally hitting theatres, all eyes will be on whether it can become the turning point Bhagyashri Borse has been waiting for.
