Talented hero Kiran Abbavaram who gained good craze among the youth with one film is doing everything he can to spoil it now. People who loved him for his hard work and natural acting in ‘SR Kalyanamandapam’ are now feeling that its success did more harm to this hero. He is trying to please the masses repeatedly and coming up with commercial entertainers that do not have an interesting story or narration. He trying to inject unnecessary mass scenes in youthful love stories too which is backfiring badly.
His recent release ‘Nenu Meeku Baaga Kaavalisinavadini’ is the best example of it. Kiran Abbavaram has a lot of energy but the audience will find it tough to accept him as a complete mass hero at this stage of his career. Though there are fights in his previous movies, he did not try to go overboard. But he tried to pull off a fight scene in lungi like Balakrishna or Prabhas or NTR in this film which did not go down well with the audience. The story had nothing special and the screenplay fell flat. Kiran himself wrote the screenplay and dialogues but he faltered with his pen.
It is not tough for Kiran to score a hit if he comes up with scripts that suit his body language. Masses don’t flock into the theatres if he remixes Chiru and Balayya’s songs. The openings of ‘Sammathame’ showcased that he is in a danger zone and ‘NMBK’ may end up getting even less money. Barring a few main centers, the bookings were not encouraging and with the film getting negative talk, there is no chance of recovery according to reports.
Recent Random Post:
Sreeleela Raises an Important Issue About Women on Film Sets
Actress Sreeleela has highlighted an often-overlooked challenge faced by women working behind the scenes in the film industry, especially during outdoor shoots conducted in remote locations.
Speaking about her recent experiences while filming under demanding conditions, Sreeleela pointed out that many women crew members do not have access to basic facilities and privacy, particularly when it comes to restrooms.
The actress noted that while leading actors and actresses of the current generation are usually provided with vanity vans and personal facilities, many women working as assistant directors, dancers, and crew members do not enjoy the same privileges.
“As actresses, we have the advantage of cars and vanity vans. But many women on set don’t have access to these facilities. I feel it is our responsibility to tell women assistant directors, dancers, and other crew members that they are welcome to use our facilities whenever needed. That is basic human kindness,” Sreeleela said.
Her comments have drawn appreciation for shedding light on an issue that is rarely discussed despite being a common concern during outdoor schedules.
Veteran actress Hema Malini echoed Sreeleela’s views and praised her for addressing the matter. Reflecting on her own experiences during the filming of the classic Sholay, Hema Malini recalled the difficult conditions actors and crew members faced in those days.
“She is absolutely right. At least today’s actresses have access to vanity vans. When we were shooting Sholay in remote locations, there were no vans, no hotels, and often not even proper restroom facilities,” Hema Malini said.
The veteran actress added that extending access to available facilities for women crew members is not just a gesture of support but a matter of basic decency and consideration.
Sreeleela’s remarks have sparked an important conversation about improving workplace conditions for women in the film industry, reminding everyone that small acts of empathy can make a significant difference during demanding outdoor shoots.
