Perhaps for the first time, power star and Jana Sena Party president Pawan Kalyan made some critical comments against Telugu Desam Party president and Andhra Pradesh chief minister N Chandrababu Naidu, albeit in a mild manner.
Speaking to media while releasing the report of the joint fact-finding committee on the Central assistance to the state, Pawan said he had supported Chandrababu Naidu in 2014 elections because he was an experienced politician.
“But now, I feel he is a confused man. He does not know what exactly he wants from the Centre. When I said at the Tirupati meeting that the Centre was trying to fool us by offering rotten laddus, he said he would adjust with the same.
Now, the Centre has not given even the stale laddus. And now, Naidu is demanding the special status. This is confusing to the people. If the chief minister himself is a confused man, how can he do justice to the state?” Pawan asked.
The Jana Sena Party chief found fault with the Naidu government for failing to bring pressure on the Centre to do justice to the state in the last four years.
“In the fifth year, he says he would fight with the Centre. How can people believe him?” he said.
Pawan said he was answerable to the people since he was facing criticism for being a supporter of the TDP.
“Otherwise, people will not believe me also,” he said.
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Trivikram’s God of War Sparks Adaptation Buzz
Director Trivikram Srinivas has often been appreciated for reimagining existing stories with his trademark writing style and strong Telugu nativity.
Over the years, several of his films have drawn comparisons with earlier works. A Aa was widely linked to Vijaya Nirmala’s Meena, Agnyaathavaasi was compared to the French film Largo Winch, while Ala Vaikunthapurramuloo was said to have taken inspiration from Intiguttu. There is also ongoing industry speculation that his upcoming Adarsha Kutumbam 47 has its roots in a Korean or Hollywood film, although reports suggest the script has undergone significant changes since a similar concept is already being explored in Arjun Sarja’s Blast.
Despite these comparisons, Trivikram has consistently transformed such ideas into films that feel fresh and original by blending them seamlessly with Telugu culture, emotions, and family values. Even some individual scenes in his films have sparked discussions about their inspirations. One notable example is the popular “Abaddam Chepithe Chasthavu” (If you lie, you die) badam tree episode, which many believe resembles a sequence from the 2012 Eddie Murphy film A Thousand Words.
Now, similar curiosity surrounds Trivikram’s ambitious project, God of War. Film circles are debating whether the story is a completely original creation or if it draws inspiration from a classic mythological Tamil film before being reworked for Telugu audiences in Trivikram’s signature style.
As of now, there is no official confirmation regarding the film’s source material. Whether God of War turns out to be an original story or an adaptation, Trivikram’s reputation as a gifted storyteller remains intact. His strength has always been in taking familiar ideas and presenting them with compelling characters, emotional depth, and engaging narration.
Until the makers reveal more—or the film finally releases—the mystery surrounding the origins of God of War is likely to remain one of the biggest talking points among movie buffs.
