‘Brahmastra’ was a film which released in the middle of heavy criticism and boycott campaigns. Many said that the trailer was not up to the expected level and the graphics were too artificial. Many speculated the film to not get good openings and trolled it heavily. But the aggressive promotions of the team made the film get tremendous openings. ‘Brahmastra’ got 75 crores on the first day of its release.
The movie opened to packed houses and the collection by the end of its first week was 225 crores. It earned a gross of over 70 crores in its first three days which is a huge achievement considering the state of Bollywood films at the moment. At a time when big names like Akshay Kumar, Ajay Devgn, Aamir Khan, Ranveer Singh and others have failed to bring audiences to the theatres. Ranbir Kapoor and the stellar star cast succeeded in doing it despite the mixed reviews.
Many felt that the film would continue its successful run. Considering the budget involved, ‘Brahmastra’ needed to get good collections for at least another week or two. But that is not the case at the moment as the collections witnessed a sixty percent dip on Monday. It had a drastic fall on Tuesday too and trade pundits reveal that it managed to get only 25 crores gross in two days.
Though the first weekend’s collections were fantastic, the movie managed to recover only 40% of its investment and with the continuous drop in collections, ‘Brahmastra’ may soon end as a big disaster despite a grand opening. Ranbir and Alia Bhatt are the hero and heroine in this project while Big B Amitabh Bachchan, King Nagarjuna, Mouni Roy and others played key roles. Bollywood Baadshah Shah Rukh Khan gave a special appearance in this high-budget supernatural drama.
Produced jointly by Star Studios, Dharma Productions, Prime Focus and Star Light Pictures, this grand project is an adventure film with a lot of supernatural elements inspired by the Hindu gods. ‘Baahubali’ and ‘RRR’ director SS Rajamouli presented this film in South India.
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Bunny Vas Raises Concerns Over Declining Theatre Audience
The Telugu film industry is currently witnessing intense discussions over theatre survival, revenue distribution and the declining footfalls in cinemas. Concerns raised by single-screen exhibitors and producers about growing financial pressures have once again brought the industry’s business model into focus.
Amid these debates, noted producer Bunny Vas made some strong observations on social media that are now creating widespread discussion within Tollywood circles. Instead of fighting over revenue shares and percentages, he said the industry first needs to understand why overall cinema revenue is falling in the first place.
According to Bunny Vas, the massive box-office numbers being projected today are largely driven by increased ticket prices rather than an actual rise in audience turnout. He pointed out that while collections may appear huge on paper, the number of people coming to theatres has not increased proportionately. In fact, he remarked that the industry’s real earning potential has drastically fallen compared to earlier years.
He expressed concern that producers and exhibitors are placing a heavier financial burden on a shrinking audience base and then celebrating those inflated figures as massive success stories. Instead of arguing over who deserves what percentage from the limited revenue being generated, Bunny Vas suggested the industry should focus on identifying the root causes behind declining theatre business.
The producer listed several major reasons for the current situation. One of the key issues, according to him, is the long gap between films made by star heroes. He observed that many leading actors now take nearly two years to complete a single film, which gradually weakens audience engagement with theatres. In Telugu cinema, stars play a crucial role in pulling audiences to cinemas, and fewer releases from major heroes directly affect the overall theatrical ecosystem.
Another major factor highlighted by Bunny Vas is the short OTT window. He said audiences are increasingly avoiding theatres because films arrive on streaming platforms within just a few weeks of release. With viewers aware that they can watch the same film at home shortly after release, theatrical urgency has significantly reduced.
Apart from this, he also pointed out the lack of consistently engaging content and the high food prices in multiplexes as additional reasons hurting theatre attendance. According to him, expensive canteen pricing makes movie outings unaffordable for many middle-class families, especially when combined with already high ticket rates.
Bunny Vas further noted that while content quality is a creative challenge, the other major issues — delayed hero schedules, short OTT gaps and inflated multiplex pricing — are factors the industry itself can control. Unless these core problems are addressed, he warned that merely fighting over revenue percentages will not improve the situation for producers, distributors or exhibitors.
His comments are now being viewed as a reflection of the deeper structural issues affecting the Telugu film industry. While financial losses faced by theatres and producers are real, Bunny Vas made it clear that the solution lies not in internal revenue battles but in rebuilding audience interest and making theatrical viewing more accessible and attractive once again.
