The team of ‘Ms. Shetty Mr. Polishetty’ has announced that ‘Lady Luck’ song will be released soon. After a few days, the complete video song is out now and it looks beautiful. As expected, it is a feel-good love song that showcases the feelings the hero has towards the heroine. He is seen getting mesmerized by her and both of them are seen getting close to each other.
Karthik’s voice has something magical as it makes you vibe to the song instantly and Radhan’s music is very pleasant as well. Ramajogiah Sastry’s lyrics are simple and meaningful. Naveen Polishetty looks energetic and delivers his best while Anushka is looking gorgeous as ever. It is going to be interesting to see the love story between these two on the big screen. The montage song has definitely a lot of plus points and can become a good hit in the coming days.
‘Ms. Shetty Mr. Polishetty’ is all set to hit the big screens on 4th August and the makers are planning to up the promotions from now on. The makers have released two songs from the movie already and they got a decent response. There are good expectations on this film which will hit the screens in the first week of August. The film is directed by Mahesh Babu P and produced by UV Creations. It is Anushka’s 48th movie and 14th under the UV Creations banner.
The music for this film is being composed by Radhan while Nirav Shah is the cinematographer. Rajeevan Nambiar is the art director. It will be released in Telugu, Tamil, Kannada and Malayalam languages. Kotagiri Venkateswara Rao is the editor while Sonia Deepthi and Abhinav Gomatam play key roles.
Recent Random Post:
Rahul Ramakrishna Sparks Debate on Theatre Culture and Industry Quality
Actor Rahul Ramakrishna, widely known for his standout performances in films like Jathi Ratnalu, Khushi, and Om Bheem Bush, has sparked a fresh debate on social media with his candid remarks on the current state of cinema and the film industry.
The actor, often appreciated for his comic timing and witty screen presence, took a more serious tone while addressing the widening gap between filmmakers and audiences. Taking to X, he wrote, “If your film cannot overpower the brutal summer heat, traffic, parking, inflated snacks and sheer exhaustion of modern life… don’t ask audiences to leave their home for it. Empty movie halls are honest verdict on how bad we become at work.”
His statement quickly resonated with many moviegoers, who echoed similar concerns about rising theatre costs and the lack of compelling content strong enough to pull audiences away from home entertainment. His comments come at a time when several films are struggling at the box office despite heavy promotions and star power.
Rahul also criticized what he described as “shrill cine-cats” within the industry—individuals who loudly demand justice and trend-driven outrage on social media but remain silent when real accountability is required. Using strong Telugu metaphors, he pointed out the hypocrisy of selective activism, suggesting that much of today’s outrage culture is performative and driven by visibility rather than genuine intent for change.
His remarks have triggered widespread discussion about declining creative standards, empty theatres, and the increasing dominance of “tweet activism” in the film industry. At a time when audiences are becoming more selective about theatrical experiences, Rahul Ramakrishna’s comments are being viewed as a blunt reality check for an industry struggling to reconnect with its viewers.
